Archive for the ‘Photography’ Category

Formal Portraits… Coordinating with your wedding Photographer

Thursday, October 22nd, 2009

Here are some tips for coordinating with your wedding Photographer. After you have selected a photographer, take the time to work through the details with him; this will help to ensure that everything goes smoothly. Meet once or twice, about a month before the wedding, to discuss what sorts of pictures you want; then meet again soon after for a tour of the location (if feasible) and to schedule the sequence of events. There should be a follow-up by the photographer about a week before the wedding with a confirmation of the shot list and the previously outlined schedule, either of which may need to be adjusted to accommodate last-minute changes in your overall plans. Although a wedding planner, if you have one, can competently handle straightforward logistical issues, only you can decide what images you want to come away with.

36pbruce Formal Portraits... Coordinating with your wedding Photographer

Putting together a shot list is a process of delicately balancing expectations (both yours and those of relatives and friends) with the constraints of reality. Though your aunt may want a photograph of you with each cousin individually, this could take a fair amount of time and effort.  I warn against a lengthy list, which will overburden the photographer, the couple, and the guests. On the other hand, you do not want to realize that a favorite person was left out months after it is too late. So it is best to determine in advance who is important to you and to make sure that he or she will have a formal portrait taken with you. It may help to consider just what you will be doing with the portraits. Realistically, you will probably want only a few large prints for display on your mantel or living room wall. Other people can be remembered in your album, which is often more enjoyable when filled with casual shots taken during the celebration. When you are reviewing this list of special people, talk to the photographer about each person. Let him or her know who’s funny or troublesome, or who cannot stand still for long periods of time. Knowing these things will make your photographer’s job much easier and more fun. Jusr remember even though you are taking formal shoot they should be fun. My really personel view is I am there to shoot you and what I like to say softly direct you,not beat you up. We should be a team,you should feel good in front of the camera and I should get the sots you want. Remember,hire a photographer who is good and also has good bed side manner.

Hope this helps,please let me know.

Best Peter Bruce Photo & Video

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Destination Wedding Photo/Video tips from Peter Bruce

Monday, October 19th, 2009

Destination weddings are an incredible opportunity to get magazine-worthy images of your wedding day! This is a once in a life-time event and the pictures/video are all you will have left afterward. Take it seriously and expect to invest in this service for a professional. Peter Bruce Photo & Video have done many destination weddings and they can be great. And one most important thing, I am happy to go to Paris with you foe your wedding.

Here are some tips to get the most out of your destination wedding photography/videography…

1. Hire a serious pro! Don’t expect that a beautiful location will automatically mean you get great shots. It takes a professional to interpret lighting, positioning, architecture, storytelling and combine it all with great equipment and experience to produce stunning images.

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2. Take your time! See if your photographer will set aside a few hours for bridal portraits on the day after the wedding (or if you have a really small wedding, on the day of the wedding). You can travel the area and hit all the hot spots. After all, isn’t that why you chose it?

77290009 Destination Wedding Photo/Video tips from Peter Bruce

3. Destination weddings are all about the “Experience.” Capture every emotional moment by having your photography/videography team arrive early enough to shoot the getting ready process. Hair/Makeup are some of our favorite shots – energy is high and emotions are, too! Make sure your professional provides you with a list of tips so you can have all those little details like your dress, shoes, and jewelry ready, too.

77290021 Destination Wedding Photo/Video tips from Peter Bruce

4. Audio is everything! Beach weddings are windy and many PA systems echoe and distort the voice. Most people think of video as a camera, but don’t ever realize that even in the most capable hands a video is nothing without great audio of your ceremony, interactions of family and friends, etc. Make sure your videographer uses professional wireless microphones on both the groom and the officiant (as a back-up).

roll 32  35 1480 Destination Wedding Photo/Video tips from Peter Bruce

After all is said and done, see if your photographer can submit your images to magazines or websites. Remember all those great ones you saw while planning your wedding? That could be you…but not without a great professional on your side

I hope this help with your getaway weddings,let me know. Also remember happy to travel with you for a wedding.

Best Regards Peter Bruce Photo & Video

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Purple Orchid Inn with Jill & Andrew by Peter Bruce Photo

Sunday, October 18th, 2009

What a fun wedding Peter Bruce photo & video was lucky enough to do at the wonderful Purple Orchid Inn in Livermore. Jill & Andrew pulled of a great wedding,fun party,with lots of dancing. One of the shorest cermonies in the history of wedding. Hope you enjoy the photos. The  full set of all the photos will be posted in about 2 weeks so check back to this site then.

dsc 3008 Purple Orchid Inn with Jill & Andrew by Peter Bruce Photo

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dsc 2881 Purple Orchid Inn with Jill & Andrew by Peter Bruce Photo

Hope you enjoy, please let me know

Best   Peter Bruce Photo & VIdeo

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Old St. Hilary’s with Amy & Micheal by Peter Bruce Photo & Video

Saturday, October 17th, 2009

People may view & order all the photos from this wedding online at…

www.peterbrucephotography.com

1 34820008 Old St. Hilarys with Amy & Micheal by Peter Bruce Photo & Video


See more photos below…

Old St. Hilary’s, a little history…

What a great couple and a fun wedding.I was was glad to shoot the wedding and of course going to some of the best locations in the bay area,like the Legion of Honor,Marin head lands and og course my favorite church Old St Hilarys.Thanks for making Peter Bruce Photo & Video part of your day.

Wildflowers surround Old St. Hilary’s, Tiburon’s iconic hillside landmark, which was originally a mission church named for St. Hilaire, Bishop of Poitiers. The heirs of John Reed—who held title to El Rancho Corte Madera del Presidio, the Mexican land grant that included the Tiburon Peninsula—deeded the one-quarter acre site for $2 to the Archdiocese of San Francisco, which built the church as a place of worship for local railroad workers in 1888.

The building is of significant architectural importance because it is one of the few remaining Carpenter Gothic churches to survive in its original setting. It is constructed of redwood, with redwood doors and a Douglas fir ceiling. Amber glass replaced the original stained glass windows after they were broken. The stained glass window above the door has been restored and depicts St. Hilary (fourth century), patron saint of scholars. It was a gift from Dr. and Mrs. Benjamin Lyford.

The current electric lights are replicas of coal-oil chandeliers, which were lowered with ropes that brackets on the walls held in place. Heating and water are modern additions. Original furnishings include the white altar rail and two stands for statues on either side of the sanctuary, as well as the restored Stations of the Cross in the nave. A donor salvaged the cross from a church in Santa Fe, New Mexico.

Most of the permanent furnishings are donations in honor of local residents. They include the concert piano and custom-made docent desk, chair and table, as well as oak pews that are reproductions of the originals. A group of local volunteers created the needlepoint pew cushions that feature local wildflowers.

The church was deconsecrated to make way for a new, larger one and was headed for destruction until several individuals intent on preserving local history established the Landmarks Society and purchased the site and building in 1959. It has served as a schoolroom and town meeting hall and is now a popular setting for weddings, concerts and other memorable events.

34820010 Old St. Hilarys with Amy & Micheal by Peter Bruce Photo & Video

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34710032 Old St. Hilarys with Amy & Micheal by Peter Bruce Photo & Video

We hope you enjoyed these photos and a little history. Please let us know

Best Peter Bruce Photo & Video

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Old St. Hilary’s & Art & Garden Center with Melissa & Sean. Photos by Peter Bruce

Friday, October 16th, 2009

Melissa and Sean hail from New York by way of the Bay Area.  They came back for their wedding and couldn’t have asked for a more beautiful day.  Their weddding was a day full of family (the groom’s mother married the couple), friends (old and new) and love.  The guests were stylish, the setting was gorgeous.  The bar of candy, soft and vibrant flowers, and the steel drum band showed how much fun this couple is.  Peter Bruce Photo & Video was happy to be there to capture their day.

37570005 Old St. Hilarys & Art & Garden Center with Melissa & Sean. Photos by Peter Bruce

See more photos below…

Old St. Hilary’s, a little history…

Wildflowers surround Old St. Hilary’s, Tiburon’s iconic hillside landmark, which was originally a mission church named for St. Hilaire, Bishop of Poitiers. The heirs of John Reed—who held title to El Rancho Corte Madera del Presidio, the Mexican land grant that included the Tiburon Peninsula—deeded the one-quarter acre site for $2 to the Archdiocese of San Francisco, which built the church as a place of worship for local railroad workers in 1888.

The building is of significant architectural importance because it is one of the few remaining Carpenter Gothic churches to survive in its original setting. It is constructed of redwood, with redwood doors and a Douglas fir ceiling. Amber glass replaced the original stained glass windows after they were broken. The stained glass window above the door has been restored and depicts St. Hilary (fourth century), patron saint of scholars. It was a gift from Dr. and Mrs. Benjamin Lyford.

The current electric lights are replicas of coal-oil chandeliers, which were lowered with ropes that brackets on the walls held in place. Heating and water are modern additions. Original furnishings include the white altar rail and two stands for statues on either side of the sanctuary, as well as the restored Stations of the Cross in the nave. A donor salvaged the cross from a church in Santa Fe, New Mexico.

Most of the permanent furnishings are donations in honor of local residents. They include the concert piano and custom-made docent desk, chair and table, as well as oak pews that are reproductions of the originals. A group of local volunteers created the needlepoint pew cushions that feature local wildflowers.

The church was deconsecrated to make way for a new, larger one and was headed for destruction until several individuals intent on preserving local history established the Landmarks Society and purchased the site and building in 1959. It has served as a schoolroom and town meeting hall and is now a popular setting for weddings, concerts and other memorable events.

Landmarks Art & Garden Center a little history…

The property was part of the earliest settlement on the Tiburon Peninsula—John Reed’s Mexican Land Grant, El Rancho Corte Madera del Presidio. The Cottage (c. 1870), believed to be the oldest structure on the Tiburon Peninsula, was originally a bunkhouse for workers at the Rancho’s brick kilns in an area called the Hilarita, which was named for Hilarita Reed Lyford, heiress to the 1834 land grant. Working class homes and a dairy, which was located where Reed School is now, were part of the neighborhood as well.

When the Northwest Pacific Railroad came to Tiburon in 1884, it added a stop called Hilarita station to the tiny community. The trains served passengers and also carried bricks from the kilns to construction sites in the North Bay and to ferries for transport to San Francisco.

After the kilns stopped operating, and theo Rancho no longer needed to provide housing for workers, the Reed heirs expanded the bunkhouse and turned it into a residential cottage, which they rented to tenants. In 1944, artist William Newman and his wife Helen, an ardent conservationist, purchased the property and transformed the farmyard into a garden while preserving the historic house.

Fifty years later, Mrs. Newman bequeathed the property to the Belvedere-Tiburon Landmarks Society for use as an art center and to preserve the gardens. The society took on the task of restoring the cottage in typical farmhouse style and bringing it up to modern building codes, using rough-hewn materials from the original building as well as those of similar age.

The Newmans created the country garden and did most of the work themselves with guidance from a plan by Leland Noel, a noted landscape architect and botanist. The Landmarks Society preserved mature trees, shrubs and plants that had survived years of drought and neglect and made modifications to allow public use and accommodate current conservation practices. Master gardeners and volunteers planted the terraced acre with colorful flowerbeds and created restful vista points, and local residents contributed thousands of used bricks to complete the terraces and pathways.

The cast-iron bell at the side of the cottage was originally a fire bell for Belvedere Island, sounding the alarm to let firefighters know that their services were needed. When telephones came into vogue, operators began calling firefighters to alert them, and the bell found a new home at Belvedere School where it summoned children to class. It also chimed daily at 4 p.m. to tell children playing in the islands open spaces that it was time to go home. It now hangs from a farmyard post, and celebrants ring it to mark special occasions.

The lovely 5-foot-by-7-foot pagoda birdhouse is a Victorian garden folly that dates from the 1890s, a time when oriental objects were fashionable, and was a fixture in the garden at 207 Beach Road, Belvedere, for many years. Mindful of its history, the owners donated it to the Landmarks Society for preservation in the Art & Garden Center.

37470034 Old St. Hilarys & Art & Garden Center with Melissa & Sean. Photos by Peter Bruce

37430030 Old St. Hilarys & Art & Garden Center with Melissa & Sean. Photos by Peter Bruce

37560011 Old St. Hilarys & Art & Garden Center with Melissa & Sean. Photos by Peter Bruce

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1 37440010 Old St. Hilarys & Art & Garden Center with Melissa & Sean. Photos by Peter Bruce

37420035 Old St. Hilarys & Art & Garden Center with Melissa & Sean. Photos by Peter Bruce

We hope you enjoyed these photos and a little history. Please let us know

Best Peter Bruce Photo & Video

Share with your friends and family!
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